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Posts archive for: June, 2009
  • The Plot Thickens - Galliano

    By chance I heard this eclectic group a couple of weeks ago and remembered I had an album of theirs: The Plot Thickens. I revisited it last week and it is superb. Where are they now I ask? The internet gives no information. To get us started:

    Galliano was a London based acid jazz group, started up in 1988. The group was the first ever signing to Eddie Piller and Gilles Peterson’s Acid Jazz Records. The original members were Rob Gallagher (vocals), Constatine Weir (vocals), and Crispin Robinson (percussion). Other important members include Valerie Etienne, who participated in the recording of all their CDs, along with other musicians such as Mick Talbot on keyboards and McKone Hernias on bass guitar.

    The Plot Thickens:
    From it's hard beat driven opening track with an almost samba background it has an arresting track opener called Was This The Time. Not rap but a talkover which is determined to keep your attention as it stops suddenly then we go into a track which flows because it's called Blood Lines, great jazz fusion and then perfectly executed funk with Rise and Fall.
    Cold Wind Blowing has a strong lyrical message [our destiny for the next generation] with a blues guitar playing underneath; 'there's a cold wind blowing and we must make our mark'. It's one of the strongest tracks which changes pace half way through and launches into a clap hands and all join in affair. It's a 6 minute track which is great as it has a real groove which you get into.
    Do You Hear goes into free fall jazz territory though I can't quite make out what the heck the instrument is which leads it, possible a trumpet.

    Without lessening it in any way it has a 'performance' feel about it as if a young theatre group has put it together, it has that sort of energy. It also has lots of blends and flavours which make it all very intriguing and rich.

    It's such a 'tight' sound with all the rhythm and harmonies just circling each other perfectly. The album is on Spotify so go listen.

  • Michael Jackson

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    I can't possibly write anything as eloquent as the professional music bloggers will today but as my meager, little blog is all about music AND the fact that he, like millions of others, was and is a massive part of my life soundtrack, I have to pay tribute.

    To use a pun he was 'thrilling', my strongest memory was spending a whole week totally excited and waiting for the midnight launch on a Friday of his video Thriller. Then, there were no Tweets, no leaks to the press or 'teasers'. No-one knew what to expect and then it started and I watched it awestruck. Let alone that the song was brilliant, it was the dancing, I had never seen anything like it.

    He is everywhere at the moment, the internet is slow, he is the subject of 30% of Tweets in the UK, his music was playing in my local music store this morning and it's on all the radio stations I tune in on. And so it should be.
    Forget all the weirdness, the looks - whatever. He was totally all about the music and never forget how he changed everything, the style of singing, the music itself especially with Quincy Jones, and the dance - his influence on dance can be seen a million times a day. And he was captain of the music video and used this in a way no-one else did at that time, making his music into small films.

    Tell me, who does not move to his music when it's played?

    I am going to upload my CD's to the ipod this afternoon and play and play, everyone this weekend should play his music.

    My best friend emailed me this today from Canada:
    "The world took everything from him and then threw him away but we will always have his essence inside of us - we grew up with him - laughed with him - cried with him - I hope the peace he has found is what he has always been looking for......."

    And my sister sent me a text saying:-
    'Too young'

    Michael Jackson
    King of Pop
    RIP

    michael-jackson

  • Clint Eastwoods score to The Changeling

    Whilst there is no doubting Clint Eastwoods movie The Changeling is very good [photography and re-creation of late 20/30's is just superb] I am perplexed regarding the score which is also by Mr Eastwood. Whilst a gentle and somewhat melancholic score, mainly on piano, it simply does not fit the film and anyway, shape or form.
    It does create a 'film noir' feeling but the subject matter needed something more hard hitting, tense and with character themes i.e. Walter's theme or Christine's theme, not a laid back, soft jazz score which is better suited to late night jazz clubs.

    It will not detract from what is a film that should be seen, I tend to home in on scores as they are a passion of mine.

  • Classical Music

    Caught a little of Dennis Healey's Desert Island Discs on R4 this morning. He chose several Classical pieces and waxed lyrically about a certain Beethoven piece. I don't think I have ever blogged [in 3 years] anything to do with classical music. I do feel a real philistine where this genre is concerned, I know very little about it. We do have some positively classical genius's at the hospital radio station who just blow me away with their knowledge.
    I listen to hardly any classical compositions. Just for the record it is not that I hate it or do not understand it, it's simple that it tears me to pieces as most of it is melancholy or dramatic and it takes me to places I don't really want to go to.

    Saying that I have a few favourites:
    Zadoc The Priest
    Carmina Burana
    Eine Kleine Nachtmusik
    Vivaldi's The Seasons
    Holst's Planet
    Peer Gynt
    Carmen Jones
    .... all pretty lightweight really.

  • Quiet Nights Diana Krall

    If this album were parred down anymore it would be silent. This is minimalism at it's purest, audible best. It is quite simply beautiful and sexy and therefore has the perfect title: Quiet Nights. From it's understated but eye catching [due to the tousled hair, strapless dress and inviting smile of it's songstress] to the cherry picked 10 tracks of standards plus 2 bonus tracks and 2 bonus videos no less, this album oozes sophistication.
    Apart from the track choices and the the sublime laid-backness of Krall's vocals, the album's success is due to the same team who produced her 2001 album The Look Of Love, namely producer Tommy LiPuma and the wonderful orchestrations of Claus Ogerman. It's a magical trio who cast a delicious sound of soft bossa nova, ballads and string backdrops from which there is no escape. Put it on and it is bound to woo.
    Even Too Marvellous For Words, which can have it's vocal heights, is given the gentle touch. The Boy From Ipanema will be a radio track I am sure and Walk On By may not be to some people's liking but her spin on it works for me as she bends the notes where she wants to and not where you would expect.
    Krall's voice is so sultry that at times it's a whisper but it still retains it's place at the centre of each track. Her one note piano playing makes you wonder if she turned up at all to the studio, it's as if she just had a spare hour at home and decided to have a 'play-around' at home, such is the intimacy on this flawless CD.

    quiet-nights-diana-krall-cd-cover-art

  • Beatles on the Pod!

    Found some much needed me time today so converted a vinyl LP of Beatles Ballads into mp3's and then onto my iPod. Ashamed at the meagre amount of the Fab Fours tracks I actually had housed on the magic machine, it totalled the album Rubber Soul and nothing else.
    Now it has:
    Yesterday [timeless]
    Do You Want To Know A Secret
    Hey Jude [to which you just CANNOT sing along to]
    Blackbird [simple and sublime]
    And I Love Her
    Let It Be
    Here, There and Everywhere
    The Fool On The Hill

    ...there are tons I am missing, tell me what I should make priority?

    Also joined the Stylophone Community at www.stylotheque.com where they have some new music for the Stylophone. Fabulosa.

  • Music Quiz

    Hospital Radio's Quiz and Awards Night last Saturday and I put the 2 music rounds together. This year I went for topical and so we had the 'Recession Blues'. I play a short bit from each of these tracks and they have to guess the title and artist:

    Money For Nothing/Dire Straights
    She Works Hard For the Money/Donna Summer
    Sunny Afternoon/The Kinks
    Money Money Money/Abba
    Money Can’t Buy It/Annie Lennox
    If I Were A Rich Man/Topol
    Half A Sixpence/Tommy Steele
    Brother Can You Spare Me A Dime/Bing Crosby
    You’ve Got To Pick A Pocket Or Two/Jonathan Pryce
    Big Spender/Sweet Charity

    Then with all the reborn interest in dancing, with Dancing On Ice, Strictly Come Dancing etc., I did a Dance round again they had to name title & artist/composer:

    Dancing In The Dark/Sinatra
    Dancing In The Street/Bowie & Jagger
    You Make Me Feel Like Dancing/Leo Sayer
    Dancing With Tears In Our Eyes/Ultravox
    Dance Away/Brian Ferry
    Dance of the Sugar Plum Fairy/Tchaikovsky
    Dance the Night Away/The Mavericks
    Dance to the Music/Sly & The Family Stone
    Dances With Wolves/John Barry
    Dancin’ Party/Showaddywaddy

    Feel free to use if ever you are putting a Music Quiz together.

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